English Literature

In this course, Dr Peter Howarth (Queen Mary University of London) explores the poetry of the First World War. We begin in the first module by providing a broad introduction to war poetry, thinking in particular about the basic conflict between...

In this course, Professor Seamus Perry (University of Oxford) explores Philip Larkin's 1955 collection of poetry, The Less Deceived. After an introduction to the collection as a whole (including a discussion of the origins of the title 'The Less...

In this course, Professor John Bowen (University of York) explores Charles Dickens' Great Expectations, first published in Dickens' weekly periodical All the Year Round from December 1860 to August 1861. We begin by thinking about the complex...

In this course, Dr Christopher Pittard (University of Portsmouth) explores Arthur Conan Doyle's second Sherlock Holmes novel, The Sign of Four (1890). We begin by providing a broad introduction to the novel, exploring how the novel came to be...

In this course, Mr Clive Wilmer (University of Cambridge) provides an in-depth analysis of Robert Browning's 'My Last Duchess'. The course begins by introducing Browning himself and the dramatic monologue form, before asking us to consider the...

In this course, we explore Pat Barker’s ‘Regeneration’. Set in 1917 in Craiglockhart War Hospital in Edinburgh, the novel follows psychiatrist William Rivers as he treats shell-shocked soldiers, including the poets Siegfried Sassoon and Wilfred...

In this course, Professor Nick Groom (University of Exeter) explores the history of the supernatural in English and American literature. The course begins by thinking about two of the key sources of supernatural literature, looking in the first...

In this course, Professor Marion Turner (University of Oxford) explores The Wife of Bath's Prologue and Tale, part of Chaucer's Canterbury Tales. We begin by thinking about the portrait of the Wife of Bath in the General Prologue of the Canterbury...

In this course, Dr Sarah Robertson (University of West England) explores John Steinbeck’s 1939 novel, The Grapes of Wrath. We begin by providing some historical context to the novel, focusing in particular on the Great Depression and the Dust Bowl...

In this course, Dr Christie Carson (Royal Holloway, London) explores Shakespeare's Merchant of Venice. We begin in the first module by thinking of the play's status as a comedy: is it enough for the play to end with a marriage...

In this course, Professor Lisa Hopkins (University of Sheffield Hallam) discusses Marlowe's Doctor Faustus. In the first module, we consider 'the form of Faustus' fortunes', focusing in particular on the importance on books in the play – not least...

In this course, we explore Jean Rhys' 'Wide Sargasso Sea' alongside 'Jane Eyre'. Written as a prequel to 'Jane Eyre', 'Wide Sargasso Sea' shares many of the same themes (not to mention characters) as Bronte's novel. In this course, we...

In this course, Professor Anne Varty (Royal Holloway, University of London) explores Oscar Wilde’s 1895 drama, An Ideal Husband. We begin by thinking about the structure of the play, focusing in particular on the ways in which Wilde both conforms ...

In this course, Professor Helen Smith (University of York) explores Shakespeare’s Romeo and Juliet. In the first module, we imagine a trip to the theatre in the late 16th century, thinking about the literary, historical and theatrical context of...