English Literature

In this course, Professor Miles P. Grier (Queens College, CUNY) explores the issue of race in Shakespeare through the lens of the 'racial plot' – the idea that race is not so much an aspect of one's identity as a process that serves a particular...

In this course, Professor Andrew Gibson (Royal Holloway, London) explores Samuel Beckett’s Waiting for Godot. We begin by thinking about Beckett’s life, tracing his development as a man and a writer up to the outbreak of the Second World War...

In this course, Dr Christopher Pittard (University of Portsmouth) explores Wilkie Collins' 1868 novel The Moonstone. The course begins with a general introduction to the novel and its status as one of the earliest detective novels in the English...

This course provides key historical context for John Milton's 'Paradise Lost', looking in particular at the figure of Oliver Cromwell. The course is divided into eight parts. The first looks at Cromwell's invasion of Ireland (1649-53), before...

In this course, Professor John Roe (University of York) explores Shakespeare’s Julius Caesar. We begin by thinking about the sources for the play, focusing in particular on the works of Plutarch, before moving on in the second module to give a...

In this course, Professor Thomas Ruys Smith (University of East Anglia) explores Mark Twain's 1884/5 novel, Huckleberry Finn. In the first module, we think about the origins of Huckleberry Finn in Mark Twain's life and career up to 1884/5. In the...

In this course, Professor John Bowen (University of York) explores the concepts of philosophy and performance in Charles Dickens’ Hard Times. In particular, we consider the presentation of reason and rationality in the novel (as represented by Mr...

In this course Dr Maisha Wester (University of Sheffield) explores Gothic literature through the lens of race. In the first module, we provide an introduction to the concepts of the gothic and the grotesque in literature and the arts, before...

In this course, Professor Lisa Hopkins (Sheffield Hallam University) explores Christopher Marlowe's final play, Edward II. We begin by thinking about the theme of homosexuality in the play, arguing that while the relationship between Edward and...

In this course, Professor Peter Messent explores Ernest Hemingway's 1929 novel, A Farewell to Arms. We begin in the first module by thinking about the way Hemingway reacts in his language to the sensationalism and empty sloganeering of Allied...

In this module, Dr James Smith (Royal Holloway, London) provides an introduction to the literature of the 18th century. The course begins by exploring what writers of the 18th century thought about writing itself, focusing in particular on...

In this course, Dr Páraic Finnerty (University of Portsmouth) explores the poetry Emily Dickinson. In the first module, we think about the figure of the poet herself, exploring some of the reasons why Dickinson refused to play the role of...

In Titus Andronicus, Shakespeare's first tragedy, the fragmentation of sacrificed and mutilated bodies gives rise to a polyphony of dismemberment. Over the course of these six lectures, Andrew Zurcher explores how Shakespeare figures the...

The American poet Robert Lowell described Seamus Heaney as the greatest Irish poet since W. B. Yeats, and many noted the coincidence that Heaney was born in the year that Yeats died. A Nobel prize winner and Ireland's unofficial national...