English Literature

In this fifteen-part course, Professor John McRae (University of Nottingham) explores Shakespeare’s Hamlet, focusing in particular on Hamlet’s development from “a rogue and peasant slave” to the perfect (“most royal”) king. We begin in the first...

In this course, Professor John Roe (University of York) explores Shakespeare's As You Like It – a play that was written in 1599, first performed in 1603, and first published in the First Folio, 1623. We begin by thinking about...

In this course, Professor Cedric Watts (University of Sussex) explores Shakespeare's Troilus and Cressida. We begin by thinking about the strangeness of the play: is it a history, a comedy, or a tragedy? was it performed in Shakespeare's lifetime?...

In this course, Dr Martin Wiggins (The Shakespeare Institute, University of Birmingham) explores Shakespeare's Coriolanus. We begin by thinking about the political circumstances in which the action of the play takes place, focusing in particular...

In this course, Professor John Roe (University of York) explores Shakespeare's Henry V. The course begins with a brief introduction to the play as the fourth and final instalment in Shakespeare's second great tetralogy, before moving on in the...

In this course, Dr Christie Carson (Royal Holloway, London) explores Shakespeare's Merchant of Venice. We begin in the first module by thinking of the play's status as a comedy: is it enough for the play to end with a marriage...

In this course, Professor John Roe (University of York) explores Shakespeare’s Henry IV, Part I. The course begins by introducing the tetralogy as a whole (Richard II—Henry IV, Part I—Henry IV, Part II—Henry V), before focusing on the play’s four...

In this course, Professor John Lennard explores Shakespeare’s most urban comedy, Much Ado About Nothing. As we move through the course, we think about a number of issues, including: the setting of the play and its impact on the action;...

In this course, Professor John Roe (University of York) explores Shakespeare’s Measure for Measure, a play in which a Duke’s decision to put his power in the hands of the fascinating character of Angelo goes catastrophically wrong. It’s a miracle...

In this course, we explore several aspects of Shakespeare’s Othello, thinking in particular about the play in performance. In the first module, we explore the concept of racism in the play, before moving on in the following three modules to...

In this course, we explore several aspects of Shakespeare’s Romeo and Juliet, thinking in particular about the play in performance. In the first module, we think about how Shakespeare manipulates, fuses, and pays with genre, before moving on to...

In this course, we explore several aspects of Shakespeare’s Twelfth Night. We begin by thinking about the play’s status as a comedy, before looking at a number of aspects of the play and its performance. In particular, we explore the...