English Literature

In this course, Dr Martin Wiggins (The Shakespeare Institute, University of Birmingham) explores Shakespeare's Coriolanus. We begin by thinking about the political circumstances in which the action of the play takes place, focusing in particular...

In this course, Professor Miles P. Grier (Queens College, CUNY) explores the issue of race in Shakespeare through the lens of the 'racial plot' – the idea that race is not so much an aspect of one's identity as a process that serves a particular...

In this course, Professor John Roe (University of York) explores Shakespeare’s Julius Caesar. We begin by thinking about the sources for the play, focusing in particular on the works of Plutarch, before moving on in the second module to give a...

In this course, Professor Lisa Hopkins (Sheffield Hallam University) explores Christopher Marlowe's final play, Edward II. We begin by thinking about the theme of homosexuality in the play, arguing that while the relationship between Edward and...

In Titus Andronicus, Shakespeare's first tragedy, the fragmentation of sacrificed and mutilated bodies gives rise to a polyphony of dismemberment. Over the course of these six lectures, Andrew Zurcher explores how Shakespeare figures the...

In this course, Professor John Roe (University of York) explores Shakespeare’s Henry IV, Part I. The course begins by introducing the tetralogy as a whole (Richard II—Henry IV, Part I—Henry IV, Part II—Henry V), before focusing on the play’s four...

In this course, Professor John Roe (University of York) explores Shakespeare's As You Like It – a play that was written in 1599, first performed in 1603, and first published in the First Folio, 1623. We begin by thinking about...

In this course, Professor John Roe (University of York) explores Shakespeare's Henry V. The course begins with a brief introduction to the play as the fourth and final instalment in Shakespeare's second great tetralogy, before moving on in the...

In this course, we explore The Revenger’s Tragedy, a play which was written in the early years of the seventeenth century, but whose author is unknown. In the first two modules, we think generally about the Early Modern stage, before...

In this course, Professor Matthew Steggle explores Ben Jonson's early 17th-century comedy Volpone. The course begins by thinking about the setting of the play in Venice, and what associations that city might have evoked for Jonson's original...

In this course, Professor Cedric Watts (University of Sussex) explores Shakespeare's Troilus and Cressida. We begin by thinking about the strangeness of the play: is it a history, a comedy, or a tragedy? was it performed in Shakespeare's lifetime?...

In this course, Professor Lisa Hopkins (University of Sheffield Hallam) explores Christopher Marlowe's The Jew of Malta. In the first module, we consider the character of Machiaval/Machiavelli and the presentation of morality in the play, before...

In this course, Professor John Lennard explores John Ford’s 17th-century tragedy, ‘Tis Pity She’s a Whore. The course begins by thinking about john Ford himself, about whom we know very little, and his literary output, before moving on to explore...

In this course, Professor Lisa Hopkins (Sheffield Hallam) explores John Ford’s ‘Tis Pity She’s a Whore. The course begins by exploring the play’s central theme—incest—before moving on to consider the concepts of ‘heart’ and ‘blood’. After that, we...