In this course, we explore the poetry of Sylvia Plath: first, we think about what it means to describe Plath as a writer of Confessional Poetry; after that we look at the themes of motherhood and love in Plath’s poetry;...
Prof. Diane Purkiss
In this course, Dr Kate McGettigan (Royal Holloway) explores Herman Melville's 1851 masterpiece, Moby-Dick. We begin by providing a broad introduction to Melville's life and career, including his experiences in the South Pacific and his brief but...
Dr Katie McGettigan
Royal Holloway, London
In this course, we explore Tennessee Williams’ Pulitzer Prize-winning play, ‘A Streetcar Named Desire’. The first module provides some historical and literary context for the play; we introduce Tennessee Williams himself, and think about what kind...
Prof. John McRae
In this course, Dr Nicholas Lawrence (University of Warwick) explores Nathaniel Hawthorne's classic novel, The Scarlett Letter (1850). In the first module, we think about the tension in the novel between the traditional and the modern, focusing...
Dr Nick Lawrence
In this course, Dr William Blazek (Liverpool Hope University) explores F. Scott Fitzgerald’s 1925 novel, The Great Gatsby. We being by thinking about the concept of the American Dream, focusing in particular on how some of the major characters in...
Dr William Blazek
Liverpool Hope University
In this course, Dr Páraic Finnerty (University of Portsmouth) explores the poetry Emily Dickinson. In the first module, we think about the figure of the poet herself, exploring some of the reasons why Dickinson refused to play the role of...
Dr Páraic Finnerty
In this course, Professor Helen Taylor (University of Exeter) explores Kate Chopin's 1899 novel, The Awakening. After a brief introduction to the writing of the American South, the course begins proper with a discussion of Kate Chopin herself –...
Prof. Helen Taylor
In this course, Professor Seamus Perry (University of Oxford) explores the poetry of T. S. Eliot through five key poems. In the first three modules, we explore 'The Love Song of J. Alfred Prufrock', thinking in particular about its status...
Prof. Seamus Perry
In this course, Dr Christopher Pittard (University of Portsmouth) explores Truman Capote's 1966 true crime classic, In Cold Blood. We begin by thinking about the genre of the novel, a genre which Capote referred to as 'the non-fiction novel'....
Dr Christopher Pittard
In this course, Professor Helen Taylor (University of Exeter) explores Margaret Mitchell's Gone with the Wind. We start by thinking about tremendous impact of the novel, as well as the celebrated and critically acclaimed film adaptation starting...
Prof. Helen Taylor