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Webster: The Duchess of Malfi

5. Staging Webster

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About this Lecture


In this final module, we think about the staging of the play, an issue about which John Webster was concerned—noting in his preface to the White Devil that the play had been performed in the wrong kind of theatre. As we move through the module, we think about relatively recent productions of the play—including the 2014 version at the Sam Wanamaker Playhouse.


In this course, Professor John Lennard explores John Webster’s masterpiece, the Duchess of Malfi. The course begins by thinking about John Webster himself, about whom we know very little, and the historical context for the play itself. After that, we think about five key characters in the play—the Cardinal and Ferdinand, Antonio and the Duchess, and Bosola. In the final module, we think about the staging of the Duchess of Malfi, focusing in particular on four recent productions—including the 2014 production at the Sam Wanamaker Playhouse, starring Gemma Arterton.


Born in Bristol, and educated at Oxford and St Louis, Dr John Lennard has taught English, American, and Commonwealth Literature in Cambridge, London, and Jamaica over more than twenty years. He has written two widely used textbooks (on poetry and drama) and monographs on Shakespeare, Paul Scott, Nabokov, and Faulkner, as well as two collections of essays on contemporary genre writers in crime, science fiction and fantasy, and romance. Enthusiastic, discursive, widely knowledgeable, and a demon for punctuation (on which he has also published extensively), he has been a popular Summer School Course Leader and lecturer for the Institute of Continuing Education since 1992.

Cite this Lecture

APA style

Lennard, J. (2018, August 15). Webster: The Duchess of Malfi - Staging Webster [Video]. MASSOLIT.

MLA style

Lennard, J. "Webster: The Duchess of Malfi – Staging Webster." MASSOLIT, uploaded by MASSOLIT, 15 Aug 2018,

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