3. From the Antique

About this Lecture

Lecture

In this module, we read through the poem ‘From the Antique’, focusing in particular on: (i) the conceit that the poem is a translation of an older, ancient text; (ii) the impact of the repeated words and sounds and the limited language and diction; and (iii) the idea that the world is indifferent to human affairs (‘the world would wag on the same’, 9).

Course

In this course, Professor Tom Mole (University of Edinburgh) explores the poetry of Christina Rossetti, focusing in particular on the fourteen poems listed for study for OCR English Literature A Level (excluding ‘Goblin Market’). A detailed commentary is provided for each of the poems, including comments on historical context, language and style, rhyme and repetition, relationships with other texts – especially the Bible – and much more.

The poems covered in this course are:
1. Song (‘When I am dead, my dearest’)
2. Remember
3. From the Antique
4. Echo
5. Shut Out
6. In the Round Tower at Jhansi
7. A Birthday
8. Winter, My Secret
9. Maude Clare
10. Up-Hill
11. ‘No, Thank You, John’
12. Good Friday
13. Twice
14. Soeur Louise de la Miséricorde

Lecturer

Tom Mole is Reader in English Literature and Director of the Centre for the History of the Book. He has previously held appointments at the University of Glasgow, the University of Bristol and, most recently, as Associate Professor and William Dawson Scholar at McGill University in Montreal, Canada, where he was Principal Investigator of the Interacting with Print Research Group.

Mole's interests include literature of the Romantic period in Britain, especially Lord Byron. His monograph, Byron's Romantic Celebrity (Palgrave, 2007), argues that our modern celebrity culture began in the Romantic period, and that Lord Byron should be understood as one of its earliest examples and most astute critics. He edited Romanticism and Celebrity Culture (Cambridge University Press, 2009) and a volume of Blackwood's Edinburgh Magazine (Pickering and Chatto, 2006).