6. Black Diaspora Gothic

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About this Lecture

Lecture

In this module, we explore Black Diasporic and Afro-Gothic literature, focusing in particular on: (i) the difference between Grant Wood's American Gothic (1930) and Gordon Parks' American Gothic (1942), which exemplifies some of the unique elements in Black Diasporic Gothic; (ii) the earliest African-American Gothic literature, including the slave narratives of Charles Ball, Frederick Douglass, Harriet Jacobs and Hannah Crafts, and the novels of Victor Séjour (1817-74) and William Wells Brown (c. 1814-84); and (iii) 20th-century narratives, including Richard Wright's Native Son (1940), Ralph Ellison's Invisible Man (1952) and Toni Morrison's Beloved (1987).

Course

In this course Dr Maisha Wester (University of Sheffield) explores Gothic literature through the lens of race. In the first module, we provide an introduction to the concepts of the gothic and the grotesque in literature and the arts, before turning in the second module to the influence of the American (1775-83), French (1789-99) and (especially) Haitian Revolutions (1791-1804) on Gothic literature. In the third module, we think about the racial politics in British Gothic literature, especially Charlotte Dacre's Zofloya (1806) and Mary Shelley's Frankenstein (1818), before turning in the fourth module to think about the same issues in American Gothic literature. In the fifth module, we think about anti-blackness in F. Scott Fitzgerald's The Great Gatsby (1925), before turning in the sixth module to consider black diasporic Gothic literature, including Richard Wright's Native Son (1940), Ralph Ellison's Invisible Man (1952) and Toni Morrison's Beloved (1987). Finally, in the seven module, we think about anti-blackness in horror film, and the importance of black film directors including Oscar Michaux (1884-1951), Bill Gunn (1934-89) and Jordan Peele (1979-).

Lecturer

Dr Maisha Wester is visiting lecturer at the University of Sheffield. Her research and teaching focuses on Gothic literature and Horror Film, although she also teaches American literature and African American Cultural Studies. Some of her recent publications include African American Gothic: Screams from Shadowed Places (2012) and (as co-editor) Twenty-First-Century Gothic: An Edinburgh Companion (2019).